Category Archives: Journalists

The Campaign - John Mann

The Campaign

by Robert W. Welkos

OSCAR FICTION PACKAGE: A PR woman wages her toughest nominations fight versus He-Who-Must-Not-Be-Named. 3,748 words. Illustration by John Mann.


It is a most curious job I have, thought Veronica Jasper as she sipped her extra large parsley-kale-spinach and 7B44E679-DD00-4B87-9873-6B80A7AA57E8lemony yogurt smoothie. How could anyone, certainly not her high school chums back in Nebraska, have possibly predicted that she would one day wind up as Hollywood’s premiere Oscar consultant? Even she had to marvel at how destiny had taken hold and shook out the best in her like a soapy mop. The fact is she now had become a tenacious publicist with scads of A-lister contacts in the ultra-rarefied realm of professionals who conduct Academy Awards campaigns.

Veronica’s specialty was creating Oscar buzz around her clients, much like political consultants do for candidates running for public office. True, neither she nor any other Academy Awards consultants had their own golden statuettes for a job well done, but they could be members of the Academy of Motion Picture Arts and Sciences’ venerated “Public Relations” branch. Still, Veronica had morphed into the kind of person she most loathed about the entertainment industry: a player who takes delight in the misfortune of others.

But enough of such idle musings, Veronica told herself. There’s another Oscar campaign season upon her! Phone calls to make. Dinners to arrange. Producers to placate. Journalists to schmooze. Still, why did she feel so gloomy? Because here she is — again — for the twentieth straight year coordinating the Academy campaigns for another clutch of indie and studio clients. And it’s always the same rat race. Get a grip! One day she’ll retire to that seaside hideaway in La Jolla and forget all of this nonsense. But for now she needs to plot how to win the coveted votes of all these self-involved, self-aggrandizing Academy ilk.

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Sundance

by Bernard Weinraub

A Sundance Film Festival print journalist despairs because bloggers are thriving. 4,219 words. Illustration by Mark Fearing.


I met Billy McNulty in the Avis parking lot at the airport in Salt Lake City. He had walked past me on the plane 8547D799-C475-4659-B563-17A9A283F8B3from Los Angeles, a vaguely familiar face whom I had seen at one or two press screenings at Paramount or Fox. Outside, the predicted blizzard had tapered off and a sprinkle of snow was flying in the wind.  The street was covered with ice that was being sanded as I arrived.

It was crowded, actually mobbed and chaotic, at the airport, one day before the start of the Sundance Film Festival, and the flight from L.A. had disgorged hundreds of people carrying luggage, cameras and boxes. Ten minutes later, a flight from JFK arrived. The same scene. Everyone looked very young and bedraggled — certainly younger but just as bedraggled as I did. It was January 1996.

I was standing in line when, just outside, there was a commotion. At the door of a minivan with the sign "SUNDANCE – PRESS" posted, a crowd had gathered. A burly fellow was pushing a smaller guy out of the bus onto the street and screaming, "Get the fuck away. Asshole. Prick."

The victim was McNulty, who fell to the ground. The bus door closed. Someone came over and helped McNulty get up. The crowd dispersed. Just another mini-drama among quasi-talented filmmakers at Salt Lake City airport.

The grim woman behind the Avis counter gave me the keys to a Ford Explorer — you need a four-wheel drive for the icy roads — and a printed card with directions how to reach Park City. Before I could say a word, she shouted, “Next.” It was freezing when I left the terminal. Even bundled up in a down jacket, woolen hat and gloves, I was shivering. Without snow boots, which I had stupidly packed in my luggage, my toes turned icy. I scurried to the parking lot, my laptop over my shoulder, rolling my big valise filled with sweaters, woolen socks, thermal underwear and thick ski pants. As I waited at the light to cross the street, Bill McNulty stood next to me.

"Hey," he said.

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The Cheese Plate

by L.C. Folk

A film actor with career problems is trying to overcome anger issues. 1,986 words. Illustration by Thomas Warming.


I  settled into the soft leather seat with a sigh. Nothing like a private jet. First class could not compare. A5B3E0F0-C9C6-486D-B9BF-98B356EAA0EBAcross the aisle, a group of reporters huddled around the latest superhero. What was the kid’s name? Jack or Jake. Strutting and flapping like hungry pigeons, the journalists darted in and out for a morsel. Better watch your step, Jake — they are just waiting for you to fuck up. God knows, they’d feasted off me for years. I’d been served up to them like an extra large pepperoni pizza tossed out of a passing car, then run over a few times and left for dead.

I had to be crazy for agreeing to this. The producer, Max, whose jet this was and who used to take my calls, had asked me to stop by his office for a chat. Just in case I mistakenly thought I could not sink any lower, I’d been asked to wait. I spent the time idly watching the studio parade pass by the large bank of windows in Max’s plush outer office. Writers, editors, directors. Leading men and women and their agents. A group of zombies. A lovely young starlet in cutoff denim shorts on a bicycle. This contained circumscribed world, more than several degrees removed from the gritty hole I’d climbed out of, had somehow always made the insistent, all too real messiness, more bearable.

“Kevin, sorry about that, I didn’t mean for you to have to wait.” Max was a small wiry man, balding and too tan. He threw up his hands and shrugged. “But you know how it is, right? Always crazy around here.”

Crossing the cavernous room, I took a seat on one of the overstuffed couches and sank into the feather down for several seconds before touching bottom. “No problem, Max, I know how it is.”

“I want to talk to you about the press junket, which you have so generously agreed to do.” Max sat at his massive Art Deco burl wood desk. It dwarfed him.

I nodded, a sense of unease slowly gripping my mid-section. “I’m all ears, Max.”

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A Hollywood Kid
Part Four

by Maureen Harrington

Is Jason going to spy on his celeb friends for a gossip mag? 2,304 words. Part One. Part Two. Part Three. Illustration by Thomas Warming.


Beverly saw Jason sitting at a corner table under the heavy drape of bougainvillea. He looked like his 8547D799-C475-4659-B563-17A9A283F8B3dad with some of his mother’s refinement thrown in. He definitely wasn’t movie star material but he was cute. Beverly didn’t like her staff to be too great looking. It made them memorable. Memorable was definitely not good. A few years ago, she’d had a reporter with a purple streak in her hair. Jenifer Lopez referred to her on the red carpet as Juicy’s Miss Purple. Subsequently, the reporter had been thrown out of a posh hotel in Cabo because Jennifer’s security people recognized the hair and knew she was a gossipmonger.

Looks are fine, but not too out there. Jason could blend in wherever he went.

He stood up when she approached the table. She never saw that anymore, thought Beverly, who would have raised an eyebrow but that expression had been wiped out by Botox long ago. Melody must have been awake enough during his childhood to get some manners pounded into him, Beverly surmised. Actually, he’d learned that from Big Jack. Stand up, look them in the eye and shake hands, but only if they offered theirs first. “It’ll get you laid, I promise you." Big Jack had been right.

Beverly went into her no-nonsense mode, shotgunning questions at him. Asking Jason what he did for fun. What he read. Where he went with his friends. And what he was studying. Then she got down to it. Did he know Selena or Kendall? What about Demi’s kids? Does anybody still care about Britney Spears anymore? Is Jennifer Lawrence going to keep so private she’ll fade? Which clubs were hot right now?

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A Hollywood Kid
Part Three

by Maureen Harrington

Jason is down but not out yet after growing up too fast. 1,902 words. Part One. Part Two. Part Four tomorrow. Illustration by Thomas Warming.


Melody Alden had no idea that studio execs, actors and other big deals in Hollywood don’t give out their 8547D799-C475-4659-B563-17A9A283F8B3cell numbers. They preferred to torture supplicants by having them talk to their self-important assistants, who then made them wait for a return call. It was all about timing, and how miserable and nervous can you make the next guy. The underdog waiting game.

Her son knew better. But right now, Jason was on his way out the door – he’d get to it whenever. Whenever came a lot sooner than he’d anticipated. The next morning the Korean landlady was knocking on his door at the break of noon, asking to inspect the place and get it ready for the next rich kid tenant. That was when Jason made his first mistake. He called Beverly less than twelve hours after she’d given his mother her cell number. Jason knew it was a sign of desperation to call this quickly. Hopefully she wouldn’t realize how uncool it was.

Unfortunately for Jason, Beverly had read those social tea leaves just fine. This could be interesting, she thought to herself when her assistant handed her his message. She’d given Melody her work cell. Not her private number, the one she answered herself. But even giving a business cell number was what passed for intimacy in this town.

“Tell him I’m on a call and I’ll get to him when I can.” When I’m good and ready, she thought to herself. Melody’s kid can wait. More to the point, Teddy’s kid can wait.

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A Hollywood Kid
Part Two

by Maureen Harrington

A top gossip editor is asked to help Jason get a job. 2,176 words. Part One. Part Three. Illustration by Thomas Warming.


While Jason was asleep across town, the West Coast Editor of Juicy Magazine was in the midst of her 8547D799-C475-4659-B563-17A9A283F8B3Wednesday morning meeting with editors and reporters. The top dog on the manure pile known as celeb reporting. Beverly Jones (once Jankovitzki) was having a tough day. But then all her days were tough. Her idiot husband and whiny kids had no idea what she had to go through to pay their personal vegan chef to put the bok choy on the Philippe Starck knock-off table. She let them know every day and night on the rare evenings she was home. She texted them about her suffering for her foul working life. She loved it, of course. They knew it. She knew it. But it was their family myth: Mommy is killing herself for us.

Beverly sighed loudly and farted silently. She was on a raw vegetable diet.

Beating the other tabs was the name of Beverly’s game. Her take — a cool million dollars a year, an unlimited expense account and the various perks of the job like travel, access to the famous, stock options. But, most importantly for Beverly, all the ass-kissing that went along with her title. The agents, the studios, the celebs paid her homage despite the fact that they knew her to be ruthless as far as scandal went. No one was off-limits, so best send a case of trophy Pinot Noir at Christmas and ask her to the exclusive Oscar parties. And more importantly, attend hers.

While her twentysomething staffers vied for her attention, recounting tales from last night’s clubbing and speculating on the drug consumption of the famous, Beverly was thinking about her future. She was damned if she was going to allow herself that long slide toward the humiliating bottom-feeding of celeb reporting. She shuddered, imagining a future of covering movie junkets for the wires or filling in at Entertainment Tonight. Beverly thought about the pile-up of aging media people – Katie Couric, Mary Hart, even Billy Bush was sounding like an altercocker until he got busted encouraging Trump. On camera, no less.

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The Monster 01

The Monster

by Eric Bogosian

Eric Bogosian debuts an original short story: A screenwriter desperate for his movie to be made puts it into the hands of a famous actor-director-producer. 4,873 words. Illustrations by Thomas Warming.


Hopefully, this tape will be found some day. Probably by then it’s doubtful anyone will be able to play it 8547D799-C475-4659-B563-17A9A283F8B3back and listen to what I have to say here. But I have no choice. I have to tell this story if for no other reason than to preserve my sanity during these last few hours.

As I lie here, whispering these words to myself in the dark, I can only blame my ambition. Like Icarus who flew too close to the sun, I am being punished. Whether I deserve punishment or not, you can decide.

I’m not exceptional, I’m not special. In fact I’m pretty much a boring person. But just because I was a boring person, doesn’t mean I didn’t have dreams. And desires. And hopes. And fears. And appetites. All of that. Big time. And, in the end, just big enough to consume me. I went willingly into the lion’s den. I was going to dance with the lion. I was going to become a lion.

What the fuck did I know about being a lion?

Six years ago, when I was 28, I was writing for LA Weekly. Online. I wrote an article about a young couple who got lost while hiking around in Joshua Tree. They almost died. It was a pretty good story and, as often happens in L,A,, it garnered a phone call from a studio exec. Focus Features. I pretended that I had an agent and then got this old pal who was an assistant over at UTA to rep me and one thing led to the next and all of a sudden I had a development deal with Focus to write a screenplay based on my story.

I delivered the screenplay (after six outlines), and two days later the exec who ordered it got fired and that was the last I heard from Focus. The movie was never made. And over the past six years, I’ve been able to shuffle along and write scripts for a few other studios. At first it seemed like big money. Averaged out, week by week, it actually wasn’t. But hey, if they made even one of these films, I would have been in Hollywood heaven. Or so I thought.

Lying here now in the darkness, I try to remember the state of my life only one hundred and eighty days ago. It wasn’t bad. I was making enough money that I could afford to shop at Fred Segal every now and then. I could cover my girlfriend Sandy’s side of the rent. (She’s an assistant designer at a boutique on Santa Monica Blvd.) I drove a five-year old Prius. I shopped at Whole Foods up the street from where we lived. I played poker with other screenwriters and actors like Jeremy Sisto and David Zayas. I hit the gym twice a week. I watched my weight. I made it to 34 years old and was still young enough to be “promising.” I guess I’ll never be 35.

I was floating in a dimension that had no past, no future.

And then one day, in the shower, I came up with an idea. Simple, elegant, perfect. A narrative about a returning veteran who becomes a New York City parole officer. Gritty. Full of action. A great role for a macho actor in his thirties. And it could be made for a budget. Easily shot in less than two months. Violent but also filled with pathos.

It was everything I needed to get closer to the sun.

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How Does That Make You Feel?
Part Three

by Michael Barrie

When he’s thanked on TV, the L.A. shrink tries to become Hollywood’s new must-see. 2,354 words. Part One. Part Two. Part Four tomorrow. Illustration by Thomas Warming.


It’s one of those nights, rare in L.A., when you can hear the quiet. There’s a faint but audible electric buzz.  A5B3E0F0-C9C6-486D-B9BF-98B356EAA0EBThe Adirondack chair is as hard and cold as slate. Across the black void a woman in a lighted window washes a single plate. The sprinklers whoosh on. I flick my cigar into the wet grass.

Stop The Presses! is great. I love my recurring role on it. I’m their Keyser Söze. Three days in, the Dr. D mystery — a non-story, if ever there was one — is kept alive by my client Sadie’s trendingness and a slow entertainment news week. Not that you’d guess it from Carlito’s caffeinated hysteria. But it doesn’t take an “entertainment reporter” to know that with no new news, this story will soon die. Then I can forget about a bonanza of new clients. About turning things around.

I freeze-frame on the show’s closing crawl: Got a tip? Submit tips anonymously: tips@stopthepresses.com.

I read a line once in a self-help book that stuck: the best way to escape from your problem is to solve it. This thought is accompanied by dramatic music: the startup chord of an iMac. Followed by these words on the screen: the ease & simplicity of Gmail, available across devices.

Create an account.

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How Does That Make You Feel?
Part Two

by Michael Barrie

The L.A. psychologist is more focused on his bumpy marriage than his showbiz clients. 2,512 words. Part One. Part Three tomorrow. Illustration by Thomas Warming.


Food Merchant is a family-owned Southern California supermarket housed in a former warehouse on A5B3E0F0-C9C6-486D-B9BF-98B356EAA0EBLincoln Boulevard. Step inside and you enter a world of specialty foods lovingly displayed in a Disney theme park version of the Kasbah. A colossal indoor souk divided into sections with names like Marrakesh, Algiers, and Casablanca posted on banners overhead. It’s 10:40 a.m. and I’m here, as on most days, killing time. My next (and last) appointment of the day is at 4:00. It’s why Caroline’s lost all respect for me.

Her Big Grievance #1: Not holding up my end. I could surprise her with FM’s Natural Turkey Bacon, smoked over hardwoods without preservatives. See, Caroline, I’m bringing home the bacon. A joke, Caroline. Ah, forget it.

Big Grievance #2: Dr. Dennis Corbin, Day Trader. I studied the financial markets. Study may be too strong a word. I skimmed business news on the Internet. Watched that morning guy on One For The Money. He rated E-Tec a strong buy. “Lithium-ion batteries — it’s the future, Caroline. Cell phones, electric cars, personal computing. Green technology. Trust me, I’ve done my homework.”

Big Grievance #3: Buying more on the way down (technically, #2A).

Big Grievance #4: We were going to start a family when we had the savings.

I won’t get into the Little Grievances.

My new ringtone: Kubrick’s 2001 theme. “Hello?”

“Dr. Corbin?”

“Yes?”

“Sadie Cowen gave me your number.”

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How Does That Make You Feel?
Part One

by Michael Barrie

An L.A. psychologist with a boring practice has one cool patient: an Emmy-winning tabloid princess. 2,571 words. Part Two tomorrow. Illustration by Thomas Warming.


“Graceful, isn’t she? I’m a full-on spastic.” The presenter in the tangerine gown fighting with the envelopeA5B3E0F0-C9C6-486D-B9BF-98B356EAA0EB is British actress Myrtle Davies. Myrtle won last year in this category — Outstanding Lead Actress In A Comedy Series. She’s in the third season of that cable show set in Brooklyn where she speaks in a New Yawk accent. It’s surprising to hear her proper English, as if this were the acting.

“Bless your patience,” she says, tugging at the enclosure. Myrtle yanks the card free. Applause. “How humiliating.”

Caroline and I are sitting at opposite ends of the living room couch. Alan, our black shepherd mix, takes up the demilitarized zone. He sleeps a lot these days. We’re watching the Emmy Awards on the widescreen. Caroline hates award shows, but the marriage counselor wants us to do more activities together, so she sits there working on her laptop. She can’t stand this Hollywood bullshit. I love it. All of it: the golden lives, the yawping narcissism, the better class of women.

“And the Emmy Award goes to…” Myrtle scans it, breaks into a broad smile. “Oh, this is extraordinary… Sadie Cowen! Yes!” The orchestra plays the Good To Go theme. It’s the first comedy series based on a food delivery app.

Myrtle and Sadie are friends. I know this because Sadie told me so in therapy. I, Dr. Dennis Corbin, also know that she and Myrtle had a threesome this summer with Ezra Garrett. Google says he’s a “fuckboy” and a “wannabieber” who starred in something, I forget what. At the time, Ezra was a hair shy of eighteen, a fact discovered late. It threw Sadie into a panic. “Ah’m a rapist,” she moaned in her Texas drawl. It took most of a session to talk her down. But, hey, that’s what I’m here for.

I’d like to share this bit of gossip with Caroline. It might make her laugh, something I was once able to do. But professional ethics prevent it. So I say nothing as she goes over Monday’s cases and Hollywood continues to celebrate.

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Grant & Lilli & The HUAC

Careers At Risk

by Robert W. Welkos

HOLLYWOOD BLACKLIST SERIES – A superstar couple with a secret grapples with HUAC’s purge of Communists inside the movie industry. 4,474 words. Illustration by Thomas Warming.


October 1947

“How’s this? Take my right side, fellas. That’s always my best side.”

8547D799-C475-4659-B563-17A9A283F8B3Grant Strickland and his actress wife Lili Reynolds stood on the U.S. Capitol steps posing before a crescent of jostling still photographers as dozens of fans waved and reporters shouted questions.

“Grant, are there any Communists in the movie industry?” asked one newsman over the din. Strickland and Reynolds hooked arms and leaned toward each other for the press photographers.

“I’m not into ‘isms,’” the actor replied with a chuckle, “—unless it’s capital-ism!”

“And what about you, Lili? How do you feel about your husband appearing before the House Un-American Activities Committee today?” another reporter called out. “Are you nervous?”

The former chorus girl who became one of Hollywood’s biggest draws as the sassy dame-next-door type whom men adore glanced up at her husband and then back at the questioner. “I’m here to support Grant — and also our industry.”

Given the seriousness of the HUAC hearings, though, she ignored shouts to dip her chin and show off her steely sultriness.

“Grant, what do you think of these hearings?” asked another reporter standing at the back of the horde.

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The Paparazzo

The Paparazzo

by Strawberry Saroyan

A meditation on what it means to be the lens watching U.S. culture – even if you’re foreign. 1,757 words. Illustration by Thomas Warming.


A movie star had died. It used to be these things were good money, plus a relatively easy “get.” You had 8547D799-C475-4659-B563-17A9A283F8B3to have connections, sure, have been around for a while to make your way into the location, but Mick was an old hand and had been around since, what, 2007? The business was getting tougher.

Mick was from Slovenia. He had the body of a broken pen – slim, slightly twisted and with something coursing through it but it wasn’t always blood. He was a good paparazzo. The language barrier had hurt and helped him. It made him determined to listen, hear even the syllables, keep them straight: aah, eeh, eek, ooh. Also, to keep his receptors out at all times. He hadn’t always liked celebrities but he’d grown to do so, and even when he didn’t like someone — did anyone really enjoy working with Jonah Hill, Robert Downey? — at least he knew all their names. The shooting was a way to be independent at the same time that it paid the rent. If Mick had heard of legend Ron Galella, which he hadn’t, he might have felt a sense of tradition, even artistry. But he didn’t. Still, it wasn’t a bad gig. America was working for him.

The funeral was to take place at Westwood Memorial. He’d heard on E! that it was Hollywood Forever but no, Memorial was the place; his friend Rupert had confirmed it.

Rupert was another pap, and an ally most of the time. Mick himself got the name of the valet there — hey, you had to do leg work — and Mick told Jecky, I will help you if you help me. The words had been wrong, cracked in places of course, but Jecky didn’t care. Jecky would give him the go-ahead for a cool $250. Mick knew it might be a slice of profit but he would just have to up his game.

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Hollywood Lazarus
Part Three

by Jeffrey Peter Bates

The showbiz murder attempts mount as famed P.I. McNulty tries to prevent more. 1,570 words. Part One. Part Two. Illustration by John Donald Carlucci.


Mandeville Moving Pictures was six weeks into a ten-week shoot on A Whisper In The Dark when the stalker finally made his move on Jade San Vincente, Hollywood’s newest and brightest young star who also happened to be the lead actress in Mitch and Billie Mandeville’s newest movie.

“Quiet, please!” the assistant director called out. “This is picture!”

Everybody was gathered at the far end of the Malibu Pier to film a crucial scene where Jade must wordlessly decide if her character will honor her dementia-stricken mother’s pleas to help her die. As Jade took her place at the rail, her assistant held up a parasol to shade the actress from the bright Malibu sun. After a few quiet words with Jade, the director nodded to the A.D. who then ordered the camera operator to “roll camera!”

All eyes were on Jade as a range of emotions flitted across her face. It was a touching moment and Jade was capturing her character’s anguish beautifully. Then, from the corner of his eye, private detective McNulty caught a flash of movement. Someone on a ten-speed bicycle was hurtling down the pier toward them!

The bike knifed through several crew members, knocking them down, and raced straight for Jade. McNulty saw the rider was holding a plastic drink container in one hand. Moving reflexively, The P.I. grabbed the parasol and stepped in front of Jade just as the rider squeezed out a long stream of hydrochloride acid from the container.

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Hollywood Lazarus
Part Two

by Jeffrey Peter Bates

The plot thickens and then doubles as McNulty investigates. 1,922 words. Part One. Part Three tomorrow. Illustration by John Donald Carlucci.


Coffee bar manager Billie Franklin was startled by the sudden arrival of four men. She recognized Vanguard Studio’s Chief of Security and two of his uniformed security guards. She didn’t know who the other man was but suspected he was the private detective McNulty hired to investigate Mitch Mandeville’s hit and run. And from the looks on their faces, they weren’t there to order chai lattes.

“What’s going on?” Billie asked, clearly puzzled.

The security chief explained that they were searching the premises.

“Do you have a warrant?” she demanded.

“Don’t need one,” McNulty informed her. “The studio lot is private property and its security personnel is authorized to conduct any search they deem necessary.”

During questioning, Billie freely admitted that she and Mitch had been having an affair when she learned of his engagement to his Director of Development Tessa Gower. “He didn’t even tell me to my face,” Billie sobbed. “I had to hear about it on Access Hollywood!”

After turning the coffee bar upside down, the security chief informed McNulty that nothing was found tying Billie to Tessa’s drugging.

“My gut tells me something’s here,” McNulty insisted. “Have you looked in the coffee urns?” They hadn’t. “Empty ‘em.”

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Hollywood Lazarus
Part One

by Jeffrey Peter Bates

Tinseltown’s renown P.I. is back solving movie mayhem and murder. 2,268 words. Part Two tomorrow. Illustration by John Donald Carlucci.


“Didja hear?” Micki Finch asked. “Mitch Mandeville died this morning.” She waited a beat, then added: “They say it’s permanent this time.”

“Third time’s the charm,” McNulty said sardonically. “They say how?”

“Died in his sleep at an assisted living facility.”

They were seated at a table at the Spring Street Smokehouse, a small funky joint on the edge of L.A.’s Chinatown. It was a semi-annual get-together the two friends enjoyed when they wanted to catch up over some authentic southern barbecue.

“He finally got it right,” McNulty said.

“Sure as hell had enough practice,” Micki giggled. “Is it true he died twice before this?”

“I wouldn’t say ‘die’ exactly. Murdered twice would be more accurate.”

Micki practically spit her Pinot Grigio across the table.

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On The Red Carpet At Cannes
Part Six

by Duane Byrge

The Hollywood film critic thinks he’s found the Cannes Film Festival killer. 2,626 words. Part One. Part Two. Part Three. Part Four. Part Five. Illustration by John Donald Carlucci.


Ingrid Bjorge stretched across the hotel bed, then opened her eyes. “Good morning. I did not know you were here,” she said as she propped herself up.

“You were asleep when I came in last night. I didn’t want to wake you.” Ryan claimed.

Just as the Norwegian actress opened the room door, Ryan’s girlfriend Delisha nearly collided with her as the fashion model leaned forward to knock. She carried a bottle of Cristal and an envelope addressed to Ryan that was left for him at the front desk.

Ryan gestured toward Ingrid. “Does she look familiar to you?”

Delisha stared at Ingrid for a long second, then gazed at her from a side angle. She pointed to the window. “Look out in that direction with your chin tilted up. Look real serious.” Ingrid followed her direction, angling her head and gazing off with a blank expression.

Delisha clasped her hands. “It’s crazy. Is it true? Is it true?”

“Yes,” Ryan answered.

Delisha embraced Ingrid. “Oh, my God, the star of The Ice Princess. What is going on?”

“That’s what we’re trying to figure out,” Ryan said. “Delisha, you can’t tell anyone in the meantime about Ingrid’s being alive. Not a word.”

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