Eric Bogosian debuts an original short story: A screenwriter desperate for his movie to be made puts the project into the hands of a famous and successful actor-director-producer. That was the scripter’s first mistake. 4,873 words. Illustrations by Thomas Warming.
Hopefully, this tape will be found some day. Probably by then it’s doubtful anyone will be able to play it back and listen to what I have to say here. But I have no choice. I have to tell this story if for no other reason than to preserve my sanity during these last few hours.
As I lie here, whispering these words to myself in the dark, I can only blame my ambition. Like Icarus who flew too close to the sun, I am being punished. Whether I deserve punishment or not, you can decide.
I’m not exceptional, I’m not special. In fact I’m pretty much a boring person. But just because I was a boring person, doesn’t mean I didn’t have dreams. And desires. And hopes. And fears. And appetites. All of that. Big time. And, in the end, just big enough to consume me. I went willingly into the lion’s den. I was going to dance with the lion. I was going to become a lion.
What the fuck did I know about being a lion?
Six years ago, when I was 28, I was writing for LA Weekly. Online. I wrote an article about a young couple who got lost while hiking around in Joshua Tree. They almost died. It was a pretty good story and, as often happens in L,A,, it garnered a phone call from a studio exec. Focus Features. I pretended that I had an agent and then got this old pal who was an assistant over at UTA to rep me and one thing led to the next and all of a sudden I had a development deal with Focus to write a screenplay based on my story.
I delivered the screenplay (after six outlines), and two days later the exec who ordered it got fired and that was the last I heard from Focus. The movie was never made. And over the past six years, I’ve been able to shuffle along and write scripts for a few other studios. At first it seemed like big money. Averaged out, week by week, it actually wasn’t. But hey, if they made even one of these films, I would have been in Hollywood heaven. Or so I thought.
Lying here now in the darkness, I try to remember the state of my life only one hundred and eighty days ago. It wasn’t bad. I was making enough money that I could afford to shop at Fred Segal every now and then. I could cover my girlfriend Sandy’s side of the rent. (She’s an assistant designer at a boutique on Santa Monica Blvd.) I drove a five-year old Prius. I shopped at Whole Foods up the street from where we lived. I played poker with other screenwriters and actors like Jeremy Sisto and David Zayas. I hit the gym twice a week. I watched my weight. I made it to 34 years old and was still young enough to be “promising.” I guess I’ll never be 35.
I was floating in a dimension that had no past, no future.
And then one day, in the shower, I came up with an idea. Simple, elegant, perfect. A narrative about a returning veteran who becomes a New York City parole officer. Gritty. Full of action. A great role for a macho actor in his thirties. And it could be made for a budget. Easily shot in less than two months. Violent but also filled with pathos.
It was everything I needed to get closer to the sun.