Category Archives: Musicians

Why, Why, Why
Part Two

by Stephanie Carlisi

Rule #2 for showbiz assistants: don’t bed a stranger instead of the man you love. 1,927 words. Part One. Illustration by Thomas Warming.


I walked into my apartment like a zombie.

I knelt on the floor of my bedroom. Stared A5B3E0F0-C9C6-486D-B9BF-98B356EAA0EBat the wall. The SoCal summer sun sank outside my window. I watched shadows shift. Jake would not leave my mind or my body. He had taken over.

I had not managed the effort to switch on the light. Now shadows faded into darkness. My thoughts crashed. My power of denial faded. I absolutely loved him and I hated myself for it. I hated him for it, too.

“Why, why, why?” I asked the empty room.

I dropped my head into my hands. The moment solidified. I was head-over-heels in love with Jake Easton — a songwriter older than my father would be had he lived — and my resistance was circling the shower drain as I let the water run. I pulled myself up, out of paralysis, and dressed. I fetched my purse, walked to my car in a daze and drove the two blocks to The Brentwood, my local Regal Beagle.

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Why, Why, Why
Part One

by Stephanie Carlisi

Rule #1 for showbiz assistants: don’t fall in love with the boss. 1,416 words. Part Two. Illustration by Thomas Warming.


Jake Easton caught me in the middle of a mani-pedi at the nail shop. I pulled one hand away from the A5B3E0F0-C9C6-486D-B9BF-98B356EAA0EBmanicurist to answer the phone.

“Hi, there.”

“Listen, on your way to my house, I need you to stop by Aida Thibiant for me.”

“Aida what?”

“Aida Thibiant,” he pronounced with an arrogance that sent daggers through me. “It’s a spa in Beverly Hills. I’ve ordered a bunch of skin and hair products that need to be picked up. There’s a sale so I decided to go to town for the best that money can buy. It’s the stuff I used back when I took good care of my skin. Also, I need you to book me a facial and a massage with the receptionist. Her name is Jenny. Make the appointments for Saturday morning. Nine for the massage with Bridget and ten for the facial with Lauren. Do you have a pen? I’ll give you the address.”

This guy annoys the fuck out of me. He’s a 58-year-old legendary songwriter/recording artist who’s written tons of hit songs for notable artists on the seventies Laurel Canyon music scene. As well, Jake has enjoyed a pretty successful acting career over the years. Also, he’s a notorious ladies man/lothario who has been romantically linked to a plethora of beautiful iconic female singers. By contrast, I’m thirty years younger than Jake and hired to transcribe his lyric journals for an upcoming album, but also to perform unclear personal assistant tasks. I’m a struggling actress/writer and still hopeful that working for Jake will be my ticket into the Hollywood elite.

“No,” I snapped. “I don’t run around with pen in hand waiting for you to bark orders at me. Sorry.”

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The FRN

by Larry Amoros

A newly hired channel executive thinks up the best for the worst. 1,195 words. Illustration by Thomas Warming.


To:       FRN Staff
CC:       Skip Delicious, Executive Consultant
From:  Jack Ahze, President, Fake Reality Network

8547D799-C475-4659-B563-17A9A283F8B3I am proud to welcome Mr. John “Skip” Delicious, Executive Consultant, to our FRN family. Mr. Delicious will be responsible for reimagining Fake Reality Network’s programming and turning it into a premiere niche network in at least 17 of the 48 continental United States and maybe Guam.

Mr. Delicious has had a long and storied career as an Executive Consultant in a variety of industries, from medical technology (The Ouchless Catheter) to fast food (Ox ‘n’ Brew). And his rate of success as an Executive Consultant is unparalleled in the annals of consulting. In fact, he was born to be a consultant. When he was seven years old, he used to walk down the street and stop random passersby and say things like, “I wouldn’t do that if I were you,” and “Might I suggest you diversify?”

I first became aware of Mr. Delicious in 1994, when he was working as a Executive Consultant in the field of Public Relations, and he advised Al Cowlings to “drive slower and put O.J. on the phone – you’ll get more face time.” I knew, even way back then, he and I would work together some day. And today is that day.

In the coming weeks you’ll all get to know and work with Mr. Delicious, and together we’ll make FRN destination viewing!

To:         Jack Ahse & FRN Staff
From:    Skip Delicious, Executive Consultant

First of all, CALL ME SKIP!!! I am happy to be a part of the FRN team and make us the best fake reality network we can be. Let’s hit the ground running!

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Michael Jackson Is Dead

by Christopher Horton

Are humans hard-wired to gather in mourning for Hollywood celebrities? 1,848 words. Illustration by Thomas Warming.


June 25th is my birthday. Most years. Not this year. This year it’s 2009 and the day Michael died. And Farrah. And it makes me very sad. If you looked at me, you’d probably figure why would a white, divorced, middle-aged accountant — okay, unemployed accountant — give a shit? You’d think I’d have more important things to be sad about. Like the fact that I’m unemployed. Or that I’m middle-aged and fat. Moonwalk? Hell, sometimes just plain walking normally gives me shooting pains in my left arm.

I should be sad that I live in a crappy apartment in Hollywood, the part where the glam is insane homeless men and drug-addled whores. Or that my ex took my kids to Ohio. Or that she did it because I lost my job. In other words, she did it just to be a bitch. Was it my fault that all of a sudden I couldn’t make good money being an accountant? That’s my skill. I didn’t complain that she didn’t make good money being a bitch.

Anyway, let’s not go there now. Lots of nights, I sit around drinking cheap scotch being sad about that. Not this afternoon. This afternoon, I’m sitting around drinking cheap scotch being sad that Michael’s dead. And Farrah.

So why do I give a shit? Because Michael and I were close. We were bros. Not that I ever met him. We probably didn’t have many values in common. Fill in your own pedophile joke here. But we did sorta have stuff in common. We’re the same age. Well, I’m two months older. And I’ve outlasted him. I never thought that would happen. I mean, I never really thought about it at all. But he was a rich singer-dancer -actor who breathed purified air, and I’m a fat accountant who recently began drinking too much cheap scotch. Just since my kids left.

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American Asshole
Part Two

by Pasha Adam

The Hollywood wannabe must decide between his normal life or dream career. 3,036 words. Part One. Illustration by John Donald Carlucci.


Tyler Price’s film premiere party was everything you’d expect a Hollywood party to be. Ostentatious, superficial, and wholly divorced from reality. It was also the first time I’ve truly felt like I belong, at home among the eclectic mix of narcissists, overachievers, and millionaires you can only find in Los Angeles. Unfortunately, it was as far removed from my actual home as you can get within the confines of middle class America.

Twelve hours after the party, Alana and I boarded our plane and traded our luxurious, all-expenses-paid Hollywood weekend for the dryer, browner, more barren pastures of Bumfuck, Arizona.

I wake up bleary-eyed, lying next to Alana in our bed. I barely slept last night, haunted by regrets and mourning a bountiful life that not only could have been, but should have been.

Quietly sliding out of bed, I stumble across the bedroom, a bubble world oasis crafted by me to escape the trappings of reality. Combining our shared love of acting and music, my passion for pop culture and Alana’s obsession with celebrities, our apartment doubles as a shrine to the entertainment industry. Careful not to step on a pile of my Nip/Tuck, Californication, and Entourage DVDs, I enter the living room and embark on a dedicated morning ritual that dates back to our first month in Arizona. Press-ups, sit-ups, protein shakes, flossing, omelets, moisturizing, multi-vitamins, Propecia, and hair styling are capped off with a healthy sixty seconds spent admiring and critiquing my appearance in a full-length mirror.

A crisp tailored black shirt, fitted jeans, Rolex, and polarized Oliver Peoples sunglasses complete my uniform. I take pride in the fact no one here dresses like me. I dress the way I wish the world was, to show the world what it can be.

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American Asshole
Part One

by Pasha Adam

A Hollywood wannabe in love is jealous of a famous, charming, successful actor. 2,262 words. Part Two. Illustration by John Donald Carlucci.


My girlfriend’s hand tightens around mine in excitement, cutting off all circulation until my fingers are numb. “Oh my God, oh my God, oh my fucking God!” she squeals. “It’s him!”

From our pool bed in the Tropicana Pool Cafe of the Hollywood Roosevelt Hotel, Alana points frantically. I follow her line of vision until I see what she sees. Beyond the cocktail waiters and the Hollywood elite stands the man of the hour: MTV Movie Award winner Tyler Price.

When I was no more than eight years old, my mom asked me, “What do you want to be when you’re older?” As questions go it was relatively innocuous, yet has remained etched into my subconscious ever since.

“I don’t know,” I shrugged.

To this day I have no idea why she asked me that question or why it seemed so important to her. Maybe the years spent floundering in the lower middle class had taken their toll. Or maybe it was something Dad had said. I’m not sure. Either way, what followed was the most earnest and intense moment we’ve ever shared.

She tenderly stroked the side of my face, guiding my attention towards her caring eyes. What Mom was about to say was so important to her that she didn’t just want me to hear it, she wanted me to believe it.

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Breaking The Story

by Ann Hamilton

The douchey showrunner of a dumb YA series turns up the heat on his writers room. 2,105 words. Illustration by John Donald Carlucci.


My agent Chad tells me it’s a good idea to staff on a show, just to keep my name out there. I tell him I’m a big fan of Veep and GOT and Transparent and he says there’s a staff writer opening on WitcheZ. I’ve never seen WitcheZ, it isn’t the kind of show I watch – teen witches and warlocks who fight each other, and have sex. A lot of hot sweaty witch-y sex. Not exactly in my wheelhouse.

“It’ll show your range,” Chad says.

WitcheZ is in its second year. It did okay the first season – medium ratings and terrible reviews, but has a strong social media presence that keeps the network happy. “They’re rebuilding the staff,” Chad tells me and I ask my friend Suze who I met on Melancholy, my first TV job, to translate. She says “rebuilding the staff” is usually a euphemism for a creator/showrunner being a paranoid control freak asshole who fired everybody. She doesn’t know this guy, Scott Buckley, but she’ll check him out.

“Takes lithium. Had a big coke habit a couple years ago,” she reports back. “Resents the fact he’s writing a shitty YA show and thinks he should be on cable winning Emmys. Once mentioned The Crucible to a reporter and said Arthur Miller was a hack who at least got to bone Marilyn Monroe. Likes being boss. Makes writers come into the office every day. No writing at home because he likes an audience.” Suze pauses. “Oh, and he plays the guitar.”

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I’m The Bomb

by Morgan Hobbs

A showbiz journo goes Alice-down-the-rabbit-hole and ends up at a hellacious party. 3,477 words. Illustration by John Donald Carlucci.


As I lay down, I remembered thinking that I would only close my eyes for a moment. No matter how hard I tried, no matter how intensely I stared, I couldn’t see my way through the thicket of branches and leaves to the clearing that surely waited beyond. I couldn’t even be sure how long I’d been out here crawling up the cliff face after leaving my hotel in Beverly Hills — five minutes? five hours? — wandering aimlessly through these dark woods frustrated, disoriented and suddenly very tired. I, the infamous entertainment journalist Frederick M. Barclay, was about to sit down with the even more infamous studio head Nero in his secluded Bel Air lair to discuss the state of the art. I’d been told that Tony Billings would arrange it. If only I could find him.

Then I found a face staring down at me.

“Jack,” he said, reaching down and taking my hand. “Jack Dante.”

“Of course I recognize you,” I said, as he pulled me to my feet. “You’re one of the greatest living British filmmakers.”

“Am I still alive? I question that,” he said. “I question it every day. More and more, I wander around this city like a ghost.”

“I’m Fred Barclay, the writer,” I said. “I was on my way to the Nero party. I must have gotten lost. How did you find me?”

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