A writer’s lost script is found decades later by people born after his last produced credit. 2,492 words. Illustration by John Donald Carlucci.
This all started back before electronic submissions. Wilkerson had knocked out a beautiful script in three days that was a beautiful script. Wilkerson knew it was the best work he’d ever done. So did his wife Alice, who was unerringly right. She had shouted “Yes, perfect!” over and over while reading it with Wilkerson hovering, unable to sit, always desperate for her approval which he always had anyway.
He subsequently made ten copies at Kinkos on Vine, using pale-cream bond pages finished with snappy manila covers. He gave the counter guys old brass script brads he’d found at the Rose Bowl Flea Market, fearing the more flimsy ones might splay and spill his precious tale. But these sturdy warriors would never surrender.
But when he put the screenplay copies on his agent Helena’s desk, she recoiled. Because she’d already read his hand-delivered original and pronounced it dead on arrival and dropped it showily into her massive metal wastebasket.
“So what’s wrong with it?” Wilkerson had challenged his agent in his first yet fatal clash with the woman who had done so much for him. Slapping her was like slapping his beloved Alice.
Helena glared. Then something flickered in her eyes like the dismissive blink of a falcon at full altitude. Helena knew people would despise the script because it was neither fish nor fowl. But she said simply, “It’s a wanted poster for unproducible.”
Yet he pushed on recklessly. “Agents only tell their writer that when they don’t get something but won’t admit it.”
They didn’t talk for three weeks.