Category Archives: Social Media

Don’t You Know Who I Am?

by Ann Hamilton

No matter your religion or ethnicity or race, people inside and outside Hollywood will see your true colors. 1,782 words. Illustration by Mark Fearing.


I used to do Roseanne.

No, no, not do Roseanne. I mean – hell no, are you kidding me? — I did Roseanne and Madonna and Cher as part of my “Tour Jetay’s Naughty Nasty Nineties” cabaret show. But Roseanne never really took off and people would boo even though I thought it was pretty clever, me going from sexy Madonna (hair flip/ pony tail/pointy bra: never gets old, bitches) and Cher (talk about never getting old: Cher is my spirit animal) to a fat frowzy housewife. Come on, she had the most popular show on television. You rooted for her. Everybody rooted for her. Roseanne was a heroine. Back then.

I’d lip sync to “American Woman” wearing jeans and a flannel shirt, the only concession being 5-inch pumps — because, hello, 5-inch pumps? — with a strip to a lamé version of jeans and a flannel shirt. Funny, right? A teased-up black wig and an exaggerated mouth. In the middle of the number, I’d usually let out a Roseanne-inspired, “Oh, Dan.” But it never caught on. “Sweetie pie, honey bunch,” Amber Skyes said to me once, “Tour Jetay is class. You’re high-brow. You’re drinking tea with your pinky stuck out. Roseanne is a bowel movement. And not an especially satisfying one.”

So Roseanne was a bust. Instead, I added Britney and Princess Di. And they worked much better. Sorry, Roseanne. I tried. But it wasn’t meant to be. Cut to two years later.

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Ebenezer Scrump
A Christmas Story

by Howard Rosenberg

CHRISTMAS FICTION: Ghosts visit a nasty old showman to unmask his not-so-entertaining lies and life. 836 words. Illustration by John Donald Carlucci.


The darkened penthouse of Scrump Tower on Christmas Eve….

Ebenezer Scrump, asleep after hours 8547D799-C475-4659-B563-17A9A283F8B3of heavy tweeting, is jolted awake by loud clanking sounds and a terrifying sight.

Scrump: Who are you?

Ghost: Look upon me, Scrump, for I am the Ghost of Your Past.

Scrump: What do you want of me at this hour, ghost?

Ghost: I’m here to show you the errors of your ways.

Scrump: Errors? Where are you taking me?

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The Twittermorphosis

by Diane Haithman

A female screenwriter heeds her agent’s social media advice with unexpected results. 1,029 words. Illustration by Thomas Warming.


Truth is stranger than fiction, but nothing is stranger than Twitter. Which is too bad because I might be 8547D799-C475-4659-B563-17A9A283F8B3spending the rest of my life here.

That’s right. I’m a successful screenwriter, stuck in Twitter. Find me. @GinaS

Correction: Truth not stranger than fiction, just way more stupid. Especially here in Hollywood.

Backstory: I’m Gina, 42, and I’m good. Writing creds: 2 dramas right out of USC, 3 romcoms and new script (all-girl theft ring on cruise ship).

Beating the odds, right? WGA 2015 stats say 89% screenwriters male. And over 40? Well, I can’t even. But I, Gina Sampson, was nailing it.

Also had boyfriend with no kids, no exes and no mommy issues. At 42. BOOM!

But no, not good enuf for my agent (male). Pious confabs urging Hollywood diversity just made him scared of losing the beach house.

Instead of encouraging me with new Meryl Streep program funding over-40 women in H’wood, my male agent just got more spooked.

So, wait for it: my agent (56, b’day party at Sugarfish) pulls me aside to say I’d seem more youthful if I had more Twitter followers.

Smash cut to me throwing up my yellowfin.
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In The Frame

by Laurie Horowitz

To what lengths will the wannabe famous go to stay in the celebrity picture? 1,891 words. Illustration by Mark Fearing.


When I spot the paparazzi on Montana Avenue, I get an adrenalin rush. Someone famous is around here. I can smell it. I, myself, have some notoriety, being the only child of Melissa Kane, star of such classics as Moon Over Malibu and Surf Wars.

My mother was famous in the seventies for her beach movies. She met my father, Francis Fanucchi, a mid-level studio executive, when he came to the set of Sand In My Shoes. My mother was blonde and lithe. In contrast, my father was compact, dark, muscular and pugnacious. I am tall like my mother, but I have my father’s coloring. Some say I have his face, but I reject the idea. Still, I have to admit that his robust genes beat out my mother’s more ethereal ones.

I was twenty when they died and they were both forty-two, only six years older than I am now. My father drove their Maserati off a cliff in Big Sur and it was all very dramatic and tragic. Some said it was an accident. Several claimed it was a double-suicide. Others maintained it was something more nefarious. The mystery was the making of the myth. My mother gained stature in death, her fame and celebrity burgeoning until she became a cult hero while my father doesn’t even have an entry on IMDB.

What I have left of them are the happy memories of being caught by the cameras – of Mom and I dressed up for Easter in matching bonnets, of Mom wearing a fat suit as Mrs. Santa and me as an elf. I became addicted to the feeling I got when being photographed.

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